Show More
Para Ana Y Para todos

This installation started in 1988 with drawings of the slave galley in Senegal. A colleague visited the fortress and explained the details to me. In that moment, I felt the presence of Felipe, my grandfather. I began to paint Saint Lazarus in my work from that moment on to commemorate the moment. Eight years later, on the anniversary of Lazarus (December 17) I placed all of the images in the floor and lit candles for the day.